Artemis Quartet

String Quartet
Management: Spain - Portugal
Artist

Artemis Quartet gives concerts for all great musical centers and international festivals in Europe, the United States, Asia, South America and Australia. Since 2004 the ensemble creates own cycles at the chamber music hall of Berlin Philharmonie, since 2011 at Wiener Konzerthaus (together with Belcea Quartet) and with the beginning of season 2016/2017 at Prince Regent Theatre Munich.

Berlin based Artemis Quartet was founded in 1989 at the University of Music Lübeck and is counted among the foremost worldwide quartet formations today. Important mentors have been Walter Levin, Alfred Brendel, the Alban Berg Quartet, the Juilliard Quartet and the Emerson Quartet.

Being awarded the first place in ARD competition in 1996 and six months later at Premio Borciani’, made the quartet internationally successful. Yet the four initially followed an invitation of the Institute for Advanced Study Berlin in order to enhance their studies as an ensemble and to broaden them in an interdisciplinary exchange with renowned academics. The quartet’s “comeback” happened with its Berliner debut. In 2013, the Beethovenhaus Bonn decorates the quartet as an honorary member for merits of its interpretation of Beethoven’s work.

From the beginning the collaboration with musical colleagues has been a major inspiration for the ensemble. Thus, Artemis Quartet has toured with notable musicians such as Sabine Meyer, Elisabeth Leonskaja, Juliane Banse and Jörg Widmann. Various recordings document the artistic cooperation with several partners, for example the piano quintets by Schuhmann and Brahms with Leif Ove Andsnes, the Schubert quintet with Truls Mørk or Arnold Schönberg’s ’Verklärte Nacht’ with Thomas Kakuska and Valentin Erben from Alban Berg Quartet.

Since 2005 the Artemis Quartet exclusively records for Virgin, today Erato and can by now look back on a large discography. Their recordings have been repeatedly awarded the ’The German Record Critic’s Award’, the ’Gramophone Award’ as well as the ’Diapason d’Or’. The entire recording of Beethoven’s quartets for strings was honoured with the important french ’Grand Prix de l'Académie Charles Cros’ in 2011. The quartet has received an ’ECHO Klassik’ at four occasions, at last in 2015 for the recording of creations of Mendelssohn-Bartholdy as well as in 2016 for the recording of Brahm’s quartets op. 51/1 and op. 67, dedicated to the quartet’s former violist Friedemann Weigle, who tragicly passed away in July 2015.

Not least to increase the awareness for what is new in the field of established music, the examination of contemporary music is always a significant part of the artistic work of the ensemble. Composers such as Mauricio Sotelo (2004), Jörg Widmann (2006), and Thomas Larcher (2008) wrote creations for Artemis Quartet. In 2014 a concert for strings and orchestra by Daniel Schnyder premiered in Frankfurt. The musicians launched their own contest for musical composition in 2015. Eduard Demetz was nominated the awardee in November 2015 and his string quartet Nr. 2 was given a very well received premiere in Berlin in May 2016.

Besides their practice in concerts, the four musicians teach as professors at University of the Arts Berlin and Chapelle Musicale Reine Elisabeth in Brussels.

©Felix Broede

©Felix Broede

©Felix Broede

Download
©Felix Broede

©Felix Broede

©Felix Broede

Download

Contact

Social

Reviews
Süddeutsche Zeitung

"The Artemis Quartet’s technique is on par with the most virtuoso competitors—and their musicality surpasses that of all other ensembles!"

Bachtrack

“The quartet’s blending was remarkable given that there is a marked contrast in the players’ individual tones. First violin Vineta Sareika’s tone is sweet and compact, while the second, Anthea Kreston, has a warm, mellow voice.”

The Guardian

“There is a refreshing lack of pretension to the Artemis's playing, where a beguiling sweetness of tone is combined with cool-headed judgment that refuses to over-indulge the composer's taste for operatic gesture.”

seenandheard-international.com

“The intonation in the unison flourish which marked the opening of the concert was flawless; the articulation cohered perfectly.”

Discography