Sergei Redkin

Piano
Management: Spain - Portugal
Artist

Sergei Redkin, who was born in 1991, comes from Krasnoyarsk in Siberia. He began learning piano at the age of six at the State Music Academy and also took lessons early on in improvisation and composition. In 2004 he moved to St. Petersburg, where he began his studies at the Rimsky Korsakov Conservatory, initially in its special school for the highly gifted; starting in 2009 he became a regular student in the class of Alexander Sandler. Under Alexander Mnatsakanyan, one of the last pupils of Shostakóvich, he continued his composition studies. With a scholarship from the House of Music in St. Petersburg, Redkin took part several times, starting in 2011, in the International Piano Academy Lake Como, where he collaborated with such musicians as Dmitri Bashkirov, Peter Frankl, and Fou Ts’ong.

He won the International Maj Lind Piano Competition in Helsinki in 2012, the International Prokofiev Competition in St. Petersburg in 2013, and the bronze Medal at the International Tchaikovsky Competition in Moscow in 2015. Valery Gergiev subsequently engaged him to perform with the Mariinsky Orchestra in Paris, New York, and Mexico and invited him to participate in a Prokófiev marathon as part of his MPHIL 360° Festival in Munich, where Redkin played the composer’s last two piano sonatas in November 2016.

He has appeared in recitals and as a chamber musician not only in Moscow, St. Petersburg, and various other Russian cities but also in Germany, Austria, France, Poland, Finland, Sweden, and Switzerland. Credits in the 2016-17 season have included performances at the Vienna Hofburg, the National Auditorium in Madrid, the Théâtre des Variétés in Monaco, and the prestigious Lucerne Festival in Switzerland.

© Daniil Rabovsky

© Daniil Rabovsky

© Daniil Rabovsky

Download
© Daniil Rabovsky

© Daniil Rabovsky

© Daniil Rabovsky

Download

Repertoire

Wolfgang Amadeus Mozart

Piano Concerto in A major no. 12 K. 414

Piano Concerto in G major no. 17 K. 453

Piano Concerto in D minor no. 20 K. 466

Piano Concerto in A major no. 23 K. 488

Ludwig van Beethoven

Piano Concerto in C major no. 1 Op. 15

Frédéric Chopin

Piano Concerto in E minor no. 1 Op. 11

Piano Concerto in F minor no. 2 Op. 21

Edvard Grieg

Piano Concerto in A minor Op. 16

Nikolai Kapustin

Piano Concerto no. 4 Op. 56

Franz Liszt

Piano Concerto in E-flat major no. 1

Piano Concerto Totentanz 

Serguei Prokófiev

Piano Concerto in D-flat major no. 1 Op. 10

Piano Concerto in G minor no. 2 Op. 16

Piano Concerto in C major no. 3 Op. 26

Piano Concerto in B-flat major no. 4 Op. 53

Piano Concerto in G major no. 5 Op. 55

Serguei Rachmaninoff

Piano Concerto in C minor no. 2 Op. 18

Piano Concerto in D minor no. 3 Op. 30

Rhapsody on a theme of Paganini Op. 43

Maurice Ravel

Piano Concerto in G major M. 83

Camille Saint-Saëns

Piano Concerto in D major no. 1 Op. 17

Rodion Shchedrin

Piano Concerto no. 4

Dmitri Shostakovic

Piano Concerto in C minor no. 1

Piano Concert in F major no. 2 Op. 102

Piotr Ilich Tchaikovsky

Piano Concerto B-flat minor no. 1 Op. 23

Contact

Social

Reviews
El Periodico

“In his exposition of virtuosity is a plane elegance and good taste.”

Codalario

“La actuación del joven Sergei Redkin fue de principio a fin una demostración de técnica y expresividad, una demostración de su talento en la interpretación y la prueba de que todas las dificultades posibles serán superadas fácilmente cuando sea él quien se siente al piano."

OÖNachrichten

"Sergej Redkin es un pianista sensible que es quizás un poco tímido en el escenario. Es un alma sutil, que trata de enseñarle a su audiencia una clase sobre cómo escuchar verdaderamente la música. Redkin logra seguir la forma musical grande sin perder la atención en el detalle en su emocionante interpretación. No hay descansos ni decisiones cuestionables, en vez de eso la música fluye eligiendo libremente su camino, como pretendía el compositor originalmente."

Bachtrack

"El pianista nacido en Rusia Sergei Redkin tocó el concierto con facilidad, saltando de un lado del piano al otro y colocando juguetonamente la última nota con su mano derecha."